People living in the 21st century may ignore any commercial advertisements in the newspapers or refuse to accept commercial chatter on television. But when you hurry into the convenience store or leisurely spend time in the supermarket, you will still be consciously and unconsciously affected by the slow and rapid color flow.
Color Flow - This is a comprehensive color effect produced by packaging colors in commercial designs.
The first is that it is produced by the color contrast ratio of the packaging colors.
Second, the brightness of the color is like the skeleton of the picture. If we divide the brightness of all colors into the bright tone, the tone of the middle and the lower tone, and the low-key tone, the contrast in each tone is the weak contrast of the brightness, that is, the short tone. When the colors in two adjacent tones are compared, that is, the contrast between the high brightness color and the medium brightness color, or the contrast between the brightness brightness and the high brightness color, it is called the brightness contrast. When the color in the bright tone is directly compared with the color in the low tone or the color in the low tone and the color in the bright tone, we call it the strong contrast, that is, the long tone.
In addition, because the purity of the color contrast to human visual stimulation is significantly lower than the contrast of brightness, so the use of purity to create a package tone is particularly subtle, rich artistic atmosphere.
The 21st century has entered the era of large-scale commodity dumping. With the further development of modern sales channels, the hue design of packaging colors will also become a point of unsalable merchandise and bestsellers. When “there is no sound at this time†the color dumping power When the sellers pay attention, a more brilliant business prospect is coming.
Color Flow - This is a comprehensive color effect produced by packaging colors in commercial designs.
The first is that it is produced by the color contrast ratio of the packaging colors.
Second, the brightness of the color is like the skeleton of the picture. If we divide the brightness of all colors into the bright tone, the tone of the middle and the lower tone, and the low-key tone, the contrast in each tone is the weak contrast of the brightness, that is, the short tone. When the colors in two adjacent tones are compared, that is, the contrast between the high brightness color and the medium brightness color, or the contrast between the brightness brightness and the high brightness color, it is called the brightness contrast. When the color in the bright tone is directly compared with the color in the low tone or the color in the low tone and the color in the bright tone, we call it the strong contrast, that is, the long tone.
In addition, because the purity of the color contrast to human visual stimulation is significantly lower than the contrast of brightness, so the use of purity to create a package tone is particularly subtle, rich artistic atmosphere.
The 21st century has entered the era of large-scale commodity dumping. With the further development of modern sales channels, the hue design of packaging colors will also become a point of unsalable merchandise and bestsellers. When “there is no sound at this time†the color dumping power When the sellers pay attention, a more brilliant business prospect is coming.